{"id":8,"date":"2011-04-27T19:35:56","date_gmt":"2011-04-27T19:35:56","guid":{"rendered":"https:\/\/alexprudhomme.com\/new-website\/?page_id=8"},"modified":"2011-04-27T19:35:56","modified_gmt":"2011-04-27T19:35:56","slug":"his-work","status":"publish","type":"page","link":"https:\/\/alexprudhomme.com\/his-work\/","title":{"rendered":"Other Work"},"content":{"rendered":"<p>While I have written investigative and hard-news stories about business, crime and politics, I am equally drawn to stories about food, art and popular culture.\u00a0 In this sampling of my work, I cover everything from terrorism (<em><a title=\"Forewarned\" href=\"https:\/\/alexprudhomme.com\/books\/forewarned\/\">Forewarned<\/a><\/em>) to kitchen design (\u201cA Tribute to Julia Child and Her Kitchens\u201d), Monster Trucks (\u201cWheels of Fortune\u201d), video games (\u201cZombies\u201d), biotechnology (<em>The Cell Game<\/em>), and murder (\u201cShould Johnny Paul Penry Die?\u201d).<br \/>\n&nbsp;<br \/>\n<strong>Articles<\/strong><\/p>\n<blockquote><p><strong>The New York Times<\/strong><\/p>\n<ul>\n<li><a title=\"Drought: A Creeping Disaster\" href=\"https:\/\/www.nytimes.com\/2011\/07\/17\/opinion\/sunday\/17drought.html?ref=opinion\">Drought: A Creeping Disaster<\/a>, July 16, 2011<\/li>\n<li><a title=\"California's Next Nightmare\" href=\"https:\/\/www.nytimes.com\/2011\/07\/03\/magazine\/sacramento-levees-pose-risk-to-california-and-the-country.html?_r=0\">California&#8217;s Next Nightmare<\/a>, \u00a0July 1, 2011<\/li>\n<li><a title=\"An Oil Spill Grows in Brooklyn\" href=\"https:\/\/www.nytimes.com\/2010\/05\/16\/opinion\/16Prudhomme.html\">An Oil\u00a0Spill Grows in Brooklyn<\/a>,\u00a0May 15, 2010<\/li>\n<li><a title=\"There Will Be Floods\" href=\"https:\/\/www.nytimes.com\/2008\/02\/27\/opinion\/27prudhomme.html?ref=opinion\">There Will Be Floods<\/a>,\u00a0February 27, 2008<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/sacre_cordon_bleu\/sacre_cordon_bleu.pdf\" target=\"_blank\" rel=\"noopener\">Sacr\u00e9 Cordon Bleu<\/a>, February 29, 2006<\/li>\n<li><a title=\"Mastering the Art of Julia Child\" href=\"https:\/\/alexprudhomme.com\/his-work\/articles\/mastering-the-art-of-julia-child\/\" target=\"_blank\" rel=\"noopener\">Mastering the Art of Julia Child: Op-Ed<\/a>, August 20, 2004<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/interview_ready\/interview_ready.pdf\" target=\"_blank\" rel=\"noopener\">From Unemployed to Interview-Ready<\/a>: March 28, 1999<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/dominos_founder\/dominos_founder.pdf\" target=\"_blank\" rel=\"noopener\">Taking the Gospel to the Rich<\/a>: February 14, 1999<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/urban_rust_heap\/urban_rust_heap.pdf\" target=\"_blank\" rel=\"noopener\">Off the Urban Rust Heap<\/a>: January 10, 1999<\/li>\n<\/ul>\n<p><strong>The New Yorker<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/zombies\/zombies.pdf\" target=\"_blank\" rel=\"noopener\">Zombies<\/a>: May 21, 1990<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/slave\/slave.pdf\" target=\"_blank\" rel=\"noopener\">Slave<\/a>: January 23, 1989<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/floating_cinema\/floating_cinema.pdf\" target=\"_blank\" rel=\"noopener\">Floating Cinema<\/a>: September, 1989<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/gold_bar\/gold_bar.pdf\" target=\"_blank\" rel=\"noopener\">Gold Bar<\/a>: August 1, 1998<\/li>\n<li><a title=\"The Tenth Appeal\" href=\"https:\/\/alexprudhomme.com\/his-work\/articles\/the-tenth-appeal\/\">The Tenth Appeal<\/a>: May 13, 1993 (unpublished)<\/li>\n<\/ul>\n<p><strong><strong>Vanity Fair<\/strong><\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/investigating_imclone\/investigating_imclone.pdf\" target=\"_blank\" rel=\"noopener\">Investigating ImClone<\/a>: June, 2002<\/li>\n<\/ul>\n<p><strong>Talk<\/strong> \u2022<\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/should_penry_die\/should_penry_die.pdf\" target=\"_blank\" rel=\"noopener\">Should Johnny Paul Penry Die?<\/a>: June\/July, 2001<\/li>\n<\/ul>\n<p><strong>Conde Nast Traveler\u00a0<\/strong>\u2022<\/p>\n<ul>\n<li><a title=\"The War Over Alaska's Soul\" href=\"https:\/\/www.cntraveler.com\/ecotourism\/2012\/05\/bristol-bay-alaska-environment-salmon-wildlife-poltics\">The War Over Alaska&#8217;s Soul<\/a>: Bristol Bay: May 2012<\/li>\n<li><a title=\"Five Classic Lodges in Bristol Bay, AK\" href=\"https:\/\/www.cntraveler.com\/daily-traveler\/2012\/04\/Five-Classic-Lodges-in-Bristol-Bay-Alaska\">Five Classic Lodges in Bristol Bay, AK<\/a>: May 2012<\/li>\n<li><a title=\"A Photo Tour of Bristol Bay, AK\" href=\"https:\/\/www.cntraveler.com\/ecotourism\/2012\/05\/photos-alaska-bristol-bay-pebble-mine-protests-wildlife#slide=1\">A Photo Tour of Bristol Bay, AK<\/a>: May 2012<\/li>\n<\/ul>\n<p><strong><strong>Time<\/strong><\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/the_ceo_of_culture_inc\/the_ceo_of_culture_inc.pdf\" target=\"_blank\" rel=\"noopener\">The CEO of Culture, Inc.<\/a>: January 20, 1992<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/phantom_army\/phantom_army.pdf\" target=\"_blank\" rel=\"noopener\">Phantom Army<\/a>: June 10, 1991<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/police_brutality\/police_brutality.pdf\" target=\"_blank\" rel=\"noopener\">Police Brutality!<\/a>: March 25, 1991<\/li>\n<\/ul>\n<p><strong>Gastronomica<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/writing_pulia\/writing_pulia.pdf\" target=\"_blank\" rel=\"noopener\">Writing Pulia<\/a>, Gastronomica, Summer 2006<\/li>\n<\/ul>\n<p><strong>People<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/mission_of_the_heart\/mission_of_the_heart.pdf\" target=\"_blank\" rel=\"noopener\">Mission of the Heart (WHO)<\/a>: September 1992<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/dragnet_in_the_desert\/dragnet_in_the_desert.pdf\" target=\"_blank\" rel=\"noopener\">Dragnet in the Desert<\/a>: June 27, 1992<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/i_set_no_fire\/i_set_no_fire.pdf\" target=\"_blank\" rel=\"noopener\">I Set No Fire<\/a>: January 20, 1992<\/li>\n<\/ul>\n<p><strong>BusinessMonth<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/japans_bosses\/japans_bosses.pdf\" target=\"_blank\" rel=\"noopener\">Japan\u2019s New Bosses<\/a>: August, 1990<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/the_new_face_of_coors\/the_new_face_of_coors.pdf\" target=\"_blank\" rel=\"noopener\">The New Face of Coors<\/a>: July, 1990<\/li>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/lets_get_physical\/lets_get_physical.pdf\" target=\"_blank\" rel=\"noopener\">Let\u2019s Get Physical<\/a>: March, 1990<\/li>\n<\/ul>\n<p><strong>Whittle Special Reports\/ Sport<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/alexprudhomme.com\/his_work\/articles\/wheels_of_fortune\/wheels_of_fortune.pdf\" target=\"_blank\" rel=\"noopener\">Wheels of Fortune<\/a>: 1989<\/li>\n<\/ul>\n<\/blockquote>\n<p><strong>Anthologies<\/strong><\/p>\n<blockquote>\n<ul>\n<li><a title=\"Best American Crime Writing\" href=\"https:\/\/alexprudhomme.com\/his-work\/best-american-crime-writing\/\">Best American Crime Writing<br \/>\n<\/a>(2002 edition)<\/li>\n<li><a title=\"Best Business Crime Writing of the Year (2002)\" href=\"https:\/\/alexprudhomme.com\/his-work\/anthologies\/best-business-crime-writing-of-the-year-2002\/\">Best Business Crime Writing<br \/>\n<\/a>(2002 edition)<\/li>\n<\/ul>\n<\/blockquote>\n<p><strong>Speeches<\/strong><\/p>\n<blockquote>\n<ul>\n<li><a title=\"A Tribute to Julia Child and Her Kitchens\" href=\"https:\/\/alexprudhomme.com\/his-work\/speeches\/a-tribute-to-julia-child-and-her-kitchens\/\">A Tribute to Julia Child<\/a><br \/>\nBoston University, Boston, MA.<br \/>\nOctober 19, 2004<\/li>\n<li><a title=\"How I Wrote the Cell Game\" href=\"https:\/\/alexprudhomme.com\/his-work\/speeches\/how-i-wrote-the-cell-game\/\">Follow the Story: How I Wrote \u201cThe Cell Game\u201d<br \/>\n<\/a>The National Press Club, Washington D.C., for the<br \/>\nAmerican Society of Business Publication Editors.<br \/>\nMarch 3, 2004<\/li>\n<\/ul>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>While I have written investigative and hard-news stories about business, crime and politics, I am equally drawn to stories about food, art and popular culture.\u00a0 In this sampling of my work, I cover everything from terrorism (Forewarned) to kitchen design (\u201cA Tribute to Julia Child and Her Kitchens\u201d), Monster Trucks (\u201cWheels of Fortune\u201d), video games&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Other Work - Alex Prud&#039;homme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alexprudhomme.com\/his-work\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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